All You Need is Time by Daisy the Great

I found All You Need is Time on January 11, despite its release date being nearly three months prior. I usually trend more toward realism, but I think this was fate. I have never connected so much with a record before; I must have needed it at that moment. 

Read More
Maya Silver
"Desire, I Want To Turn Into You" By Caroline Polachek

There’s few on this planet who can weave such eclectic influences as seamlessly into a pop song as Caroline Polachek does. The New Yorker and former opera singer released her second solo-album on Valentine’s Day aptly weaving the new collection of songs around desire. Polachek rose to prominence first as one-half of Indie-pop group Chairlift, but chose to strike it out alone while delving into her connections with the PC Music crowd. Her first album, “Pang,” melded ambient, electronic, and pop influences with her remarkable vocal agility, clearly striking a chord with music fans and critics alike.

Read More
Evan Manley
"The Jaws of Life" By Peirce The Veil

Sometimes it’s a hard realization to know that Pierce the Veil (PTV) is by far your most listened-to artist of all time. I have been a die-hard fan since the age of 10 and they have definitely changed the course of my life. I would probably be normal if my ears remained virgin to the piercing voice of lead vocalist, Vic Fuentes. But I would never change a thing. I am passionate about the genre and this band – I have come to terms with that. My loved ones accept me for who I am…

Read More
Abby Navin
"Blue Rev" by Alvvays

At the 2017 FYF music festival, I had the pleasure of seeing the Canadian indie band Alvvays live. I also had the misfortune of being an inattentive witness, more keen on photo ops for lead singer Molly Rankin’s lavender American Apparel skirt than her girlish wailing and songwriting capability. The band has a primarily consistent and enjoyable discography; their self-titled debut album produced some of their most revered tracks, from the teenage fantasy love ballad “Archie, Marry Me” to the humorously creepy and equally as jangly “Adult Diversion.”..

Read More
Caroline Newhart
"Honey" by Samia

Samia packs a specific punch in her Sophomore album “Honey”. Released January 27th, produced by Caleb Wright from the band Normal Parents, this intimate record is a macrocosm of emotions told through minute detail. With a more electronic sound than her debut “The Baby”, the 26-year-old singer-songwriter has enriched the devastation of her already poetic despair. This album feels more deliberate than her former work because it is dripping with symbolism and intention; Some songs are stripped down while others are layered to a point of invoking anxiety…

Read More
Liv Stripling
"Strays" by Margo Price

Moving forward from her shiny, rock-heavy record That’s How Rumors Get Started, Margo Price presents a formidable follow-up, Strays. Though Price has been quite open with psychedelics’ influence on the album’s writing and production, Strays is as grounded as it is ethereal. Along with memorable instrumentation and production, the real star of the record is Price’s impressive songwriting.

Read More
Emma Abate
"Midnights" by Taylor Swift

After a two-month-long mysterious promo campaign, one of the most anticipated albums of the year is here: Midnights by Taylor Swift. Midnights is Swift’s 10th studio album and comes following two re-recordings of the albums Fearless and Red. Consisting of 13 songs in the standard edition and 20 songs in the 3am Edition, the album has been described as a “concept album” of 13 sleepless nights.

Read More
Griffin Meyer
"Weather Alive" By Beth Orton

With time, northern English musician Beth Orton has changed. She emerged in the late 90s; her 1996 freshman album Trailer Park and 1999 sophomore album Central Reservation became pillars of the folktronica sound alongside fellow northern English musician David Gray. Twenty years, though, is a long time in music, and Beth Orton has taken the time to refine her style with each project.

Read More
Evan Manley
"Goodbye" by The Ghost of Paul Revere

On April 18th, 2022, Maine-based folk band The Ghost of Paul Revere shared a post to their social media platforms beginning with the question, “how does one write an obituary for a Ghost?” The band had been performing for the past eleven years, beginning in small venues in the local Portland area, eventually reaching enough success to take their tours abroad.

Read More
Emma Abate